In Part 1, Kevin Grazier shared three of his top surprises about being a science adviser in Hollywood. Let the conversation continue --
Whenever I do a public talk/panel/convention, it is almost a certainty that I will be asked, “So how does your job work? You just get a script and tell them what they did wrong?” It is nearly always phrased that way, or quite similar, every time. It’s true that for episodes for which I was not included from the onset, I receive a copy of the script and a window of time in which I can submit notes to the writers and showrunners. But if all I did was point out what was wrong, what purpose would that serve? Let’s use a real example from the last season of Eureka.
I found out moments ago that my boss onEureka, Executive Producer and co-creator Jaime Paglia, delivered our final episode to the network within the past hour. Everybody involved with the show is disappointed, feeling the series ended a little early, but nevertheless it was a fantastic run of five seasons.
Liza Johnson’s Return introduces something new to the familiar story of military service members adjusting to life back home after deployment.
Following a recognizable trajectory, the film opens with Kelli (Linda Cardinelli) returning to small-town Ohio following a year-long tour of duty in the Middle East as a National Guard Reservist. After a happy homecoming with family and friends, her once-normal life begins to unravel. She grows bored of the factory warehouse job that she held for 12 years before her deployment and abruptly quits: “This is a giant waste of time. I can’t do it anymore.” She struggles to reconnect with her husband Mike (Michael Shannon). Their marriage suffers and she begins to drink. Trouble with the law ensues.